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Diagnostics 101

voiceped for real life

 

Pedagogy that rewrites your imposter narrative.

HERE’S THE THING:

Voice pros deserve to feel confident, empowered, and highly proficient in the studio.

Diagnostics 101 has entered the chat.

The Vocal Instrument 101 LIVE creator, Dr. Shannon Coates, wearing teal-framed glasses, a grey shirt with wing arms, and black pants, strikes a jaunty pose with her arms crossed in front of her body. She smiles widely at the camera.

NOW YOU CAN GET OFF THE DIAGNOSTICS HAMSTER WHEEL

You know the one. The one where voice teachers are told that, in order to be effective teachers we must:

  1. analyze the sounds that the singers we work with are making, then
  2. pinpoint the physiological process they are using to make them, then
  3. create a plan (or exercise) to change that physiological process so they produce a more desirable sound.

Furthermore, we’re told that effective analysis of sound is contingent on knowledge of the anatomy of the voice and understanding of the function of the voice.

Which means that when we feel that the singers we work with aren’t progressing as quickly or successfully as we (or they, or their parents) would like?

    We often blame it on:

    1. an inability to analyze sounds, due to
    2. a lack of understanding of vocal function, leading to
    3. an inability to prescribe a course of action that will lead to production of desirable sound.

    here’s why the Diagnostic Hamster Wheel is kind of bullsh!t

    We’re gonna be far more effective voice teachers if we:

    1. identify what the singers we work with want to communicate and what kinds of sounds they want to use to do so, then

    2. get those sounds “in our ears” (and maybe in our bodies by singing them a little … or a lot), then

    3. articulate what we want to hear more of in the sounds the singers we work with are making, then

    4. support the singers we work with as they discover the coordination that will lead them to make those sounds.

    Which is also known as student-led teaching. You know, the kind of pedagogy where we believe:

    that the singers we work with have something unique and valuable to say, and

    that we can trust our own perception and intuition, leading to

    a co-operative diagnostic process that supports student agency and stimulates learning.

    DIAGNOSTICS 101 SOUNDS AMAZING, RIGHT?

    Well … you’re in luck because even though Diagnostics 101 LIVE won’t be available any time soon, you can access the Diagnostics 101 Live Lecture Recording (PLUS a whole bunch of other Live Lecture Recordings) by subscribing to The VoicePed 101 Library.

    Diagnostics 101

    • because knowing vocal function is often waaay overrated (and weaponized against the folks who don’t hang in the fancy pedagogy circles)
    • because effective teaching isn’t contingent on diagnostic skill (especially the way that we pedagogy folks tend to define it)
    • because analysis paralysis is a real thing
    • because you deserve to experience ease-filled teaching
    • because your students deserve to trust their voice