academic gears

Diagnostics 101 Class & Workshops

voice ped for real life

 

10th March

(Workshops from 13 to 17 March)

HERE’S THE THING:

If you’re a voice teacher (which: if you’re not, that’s cool but, like, whatcha’ doin’ over here on my website? #justcurious), chances are HIGH you wish you had better diagnostic skills.

HERE’S WHY THIS THING HAPPENS:

We’re told that in order to be effective voice teachers, we must be able to:

  1. analyze the sounds that the singers we work with are making, then
  2. pinpoint the physiological process they are using to make them, then
  3. create a plan (or exercise) to change that physiological process so they produce a more desirable sound.

Furthermore, we’re told that effective analysis of sound is contingent on knowledge of the anatomy of the voice and understanding of the function of the voice.

Which means that when we feel that the singers we work with aren’t progressing as quickly or successfully as we (or they, or their parents) would like?

    We often blame it on:

    1. an inability to analyze sounds, due to
    2. a lack of understanding of vocal function, leading to
    3. an inability to prescribe a course of action that will lead to production of desirable sound.

    HERE’S WHY THIS THING IS KIND OF BULLSH!T:

    We’re gonna be far more effective voice teachers if we:

    1. identify what the singers we work with want to communicate and what kinds of sounds they want to use to do so, then
    2. get those sounds “in our ears” (and maybe in our bodies by singing them a little … or a lot), then
    3. articulate what we want to hear more of in the sounds the singers we work with are making, then
    4. support the singers we work with as they discover the coordination that will lead them to make those sounds.

    Which is also known as (AKA “AKA” – see what I did there?) student-led teaching. You know, the kind of pedagogy where we believe:

    1. that the singers we work with have something unique and valuable to say, and
    2. that we can trust our own perception and intuition, leading to
    3. a co-operative diagnostic process that supports student agency and stimulates learning.

    HERE’S WHAT TO EXPECT IN THE CLASS:

    • 90-minute presentation + 30-minute live Q&A
    • delivered live, over zoom
    • replay available for 21 days (until 31st March) on the VoicePed 101 Learning Platform
    • downloadable class outline & workbook provided
    • NEW: Certificates of Completion available
    • $197

    HERE’S WHAT TO EXPECT IN THE WORKSHOPS:

    • 90-minute interactive discussion
    • delivered live, over zoom
    • bring your questions, examples, and/or recordings & we’ll apply the principles from the Diagnostics 101 Class IN REAL TIME
    • limited attendance (up to 5 participants / workshop)
    • five workshop dates; choose the one that suits you best
    • $377 for the class plus workshop

    a 90-minute class + 30-minute Q&A delivered live over Zoom

    PLUS 90-minute workshops to work it all out in real time

    $197 class

    $377 Class + Workshop

    Image of a steampunk heart with gears inside. This icon is part of the Dr. Shannon Coates brand.

    "I've done a lot of voice and voice pedagogy training but when I saw that you were offering Diagnostics 101, I signed up because I was hoping to get new perspectives on how to balance all of the vocal function information I have with seeing the student as a whole person and working with them to achieve their goals and develop their agency. This class delivered that a thousand times over! I've attended many of your classes and workshops in the past but Diagnostics 101 was my absolute favorite one! Thank you!!”

    -Natalie Ford

    “Thank you for Diagnostics 101! I signed up for the class because I can’t always explain every anatomical or physiological change in the voice the way that I think I should be able to, so I doubt my own teaching skills. Now feel like I am serving my students better. I have more tools to support them in determining outcomes and developing agency. I can trust my own teaching skills AND my students can do their best learning. Thank you for the validation!!”

    - Elspeth Maynard

    “As a teacher in academia whose assets come from an extensive performing, not pedagogical, background, I really appreciated Diagnostics 101! I signed up for the class thinking that you might be giving information about how to diagnose specific sounds and processes, so when you offered tools for supporting discovery, exploration, and agency in order to embrace a student-led model of diagnosis in the voice studio, I found it so validating. Now I have the tools I need to continue confidently on this path in my own teaching. Thank you again!”

    - Brett Polegato

    “I had the most fun coaching session with a lovely 15 year old yesterday and used this student led teaching philosophy from the Diagnostics class. It worked amazingly well and gave her so much agency and reliability…..and it was a WAY more enjoyable way to teach with significantly less pressure on me to “fix and figure out” what to do or explain concepts. She came up with so many awesome directives on her own with just a little prompting and guidance. Such a joy!! Thank you!”

    - Dana Lewis

    Diagnostics 101

    • because knowing vocal function is often waaay overrated (and weaponized against the folks who don’t hang in the fancy pedagogy circles)
    • because effective teaching isn’t contingent on diagnostic skill (especially the way that we pedagogy folks tend to define it)
    • because analysis paralysis is a real thing
    • because you deserve to experience ease-filled teaching
    • because your students deserve to trust their voice

    CLASS $197

    CLASS + WORKSHOP $377

    FAQs

    What if I can’t be there for the live class?

    • no problem at all, friend; you’ll have access to the class recording for 21 days (until 31st March)

    Are there payment plans available?

    • not for this class. there are, however, student rates available – reach out if you are a teacher-in-training (or a member of SNATS or in a voice pedagogy class at an academic institution, etc.)
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